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Dance Star Matthew Ball on Grueling Roles and Social Media Attention: 'I'm Not Precious About My Body'

In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his arms defined beneath a simple white T-shirt. On stage, dancers can seem like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. Possessing fine traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has relished taking on substantial characters, particularly the psychological turmoil found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured role is in a talk, in an "Evening With" event aiming to offer intimate perspectives into a performer's art. He will guide the crowd through a part, demonstrating his cognitive workflow while performance. Even in more comedic ballets, the challenge is profound. "A classic ballet is one of the toughest from a skill perspective," he states.

The Psychological Game and After the Show Feelings

How does he feel following a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Drivers and Creative Influences

His determination originated in youthful setbacks. Not doing well in contests at school made him "vengeful!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next challenge is making his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from literature, compositions, and art.

Intimate Performance and Private Partnership

He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Perception

On social media, fans can see clips from his dance films and photos that highlight a sculpted form. Does he care that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various ways.

Ball describes his early self as "desperate for success." Did it lived up to his expectations? "I feel very aware of how life is a separate reality to the dreams you had as a young person," he reflects. He likely has about decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

Gregory Schneider

A tech enthusiast and digital strategist with over a decade of experience in analyzing emerging technologies and their impact on society.

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